Search
Accessibility Information

Neukölln. Oliwa. Sonic Portrait

Sound Installation by Bea Targosz and Marcin Dymiter
Neukölln. Oliwa. Sonic Portrait
Exhibition | For all visitors | For children | Exhibition | Adults

Department of Ethnography

ul. Cystersów 19, 80-330 Gdańsk

Artists

Bea Targosz, Marcin Dymiter

Schedule

  • 8.10–22.10
  • Monday: closed

Tickets

Regular: PLN 25
Reduced: PLN 20
Students and pupils aged 7–26: PLN 1

How many sounds do you hear every day without really listening to them? Do you know what your neighbourhood sounds like? From 8 to 22 October, the Ethnography Department of the National Museum in Gdańsk invites you to experience a project inspired by the soundscapes of Berlin’s Neukölln district and Gdańsk’s Oliwa district.

Neukölln. Oliwa. Sonic Portrait is the Polish presentation of an artistic project that premiered at Errant Sound & Miss Read in Berlin. Its creators, Marcin Dymiter and Bea Targosz, have used field recordings made in Berlin’s Neukölln district and Gdańsk’s Oliwa district.

Their sound installation is a story about locality and the immediate surroundings that become the first context in which we experience the world. It is through what lies outside our window, in the street, in the park or in the courtyard that we begin to discover reality. Listening attentively can make a familiar place suddenly sound different. The artists show that sound is more than just a backdrop. It can tell us a great deal about a place, its inhabitants and the changes taking place within it. It speaks of architecture, movement, the time of day and year, and the presence of people, animals and plants. It creates a soundscape – the sonic environment in which we live.

“Through field recordings and sound walks, we explore a place and its specific character, while also examining issues related to collective memory, as well as building relationships and developing an awareness of place. By making recordings in the Berlin district of Neukölln and Gdańsk’s Oliwa district, we bring the specific character of each place into focus, while also applying a personal filter to the way we understand, experience and listen to the city,” says Marcin Dymiter.

“Another element of the project involves analysing and transforming the field recordings into configurations of tones (pitches, sine waves and beats), as well as sampling the material collected in real time and in randomised sequences to create a kind of sonic map – a response to the sounds of the surrounding environment,” adds Bea Targosz.

The installation will be accompanied by a series of performance-based activities. On Sunday 11 October at 3 pm, Bea Targosz will lead the sound walk Reducing Listening, beginning in Oliwa Park, outside the Department of Ethnography, before heading towards the Tricity Landscape Park. Focusing on the sonic qualities of the sounds emerging around them, participants will reflect on how we experience and listen to the city’s sound environment in our everyday lives. Admission is free.

On Sunday 18 October at 12 noon, Marcin Dymiter will invite visitors to a soundscape set at the Department of Ethnography – a sonic “reading” of the city and its architecture, as well as a response to the idea of live sets performed for entertainment in public spaces. Referring to the cultural concepts of the DJ set and sound system, the soundscape set explores the category of sounds that are “absent” from a given space. Each soundscape set is unique, specially prepared and conceptually connected to its surroundings, architecture and the particular situation. Admission is included in the museum ticket. Places are limited.

The installation is part of the programme of the international symposium Beyond Listening 3: Resounding the Rights of Nature, organised by CENSE and the Baltic Sea Cultural Centre.

Exhibition credits

artists: Bea Targosz, , Marcin Dymiter,
curators: Anna Ratajczak-Krajka, Sławka Bigaj

FAQ